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SCOOP: The National Emergency Library

by Christine Fruin

In this month's SCOOP column, learn about the National Emergency Library and the legal arguments surrounding its claim of fair use copyright.

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SCOOP: Staying Connected with Scholarly Communication While Staying Home

by Christine Fruin

In this month's SCOOP column, learn some ways that you and your community can stay connected with scholarly communication while staying home.

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SCOOP: Copyright and Online Teaching

by Christine Fruin

This month's SCOOP offers resources on copyright and online teaching with refined guidance on the application of fair use.

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SCOOP: Open Source at Atla Open Press, A Peek Inside the Toolbox

by Race MoChridhe

Atla Scholarly Communication Coordinator Race MoChridhe introduces some of the partnerships and open source software behind Atla Open Press.

Scholarly Communication, SCOOP

SCOOP: Fair Use Week 2020 – Fair Use in Pop Culture

by Christine Fruin

It's Fair Use Week! We look at some of the most important fair use cases in pop culture, which have informed current policy and interpretations of fair use.

Copyright, Scholarly Communication, SCOOP

SCOOP: The Year in Scholarly Communication: 2019 Edition

by Christine Fruin

It’s time for the SCOOP’s 2019 recap of happenings across scholarly communication, including public domain, statute copyright, and open access.

Scholarly Communication, SCOOP

SCOOP: Welcome to the Public Domain

by Christine Fruin

In this month's SCOOP, Christine Fruin discusses Public Domain, including using, reusing, and finding works.

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SCOOP: “Open for Whom?” Reflections on the 2019 International Open Access Week Theme

by Race MoChridhe

October 21-27, 2019 has been designated as International Open Access Week, and this year’s theme is “Open for Whom? Equity in Open Knowledge.”

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SCOOP: When Your Words are Your Work, Understanding the Work for Hire Doctrine

by Christine Fruin

In this month's SCOOP, we discuss one of the often-misunderstood provisions of the U.S. Copyright Act, the copyright status of “works made for hire.”

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